Reviews / 03 August 2004

Eve and the Handyman

Eve and the Handyman
USA  /  1961

The blonde and mischievous Eve follows a general Mr. Fixit and conspires to entrap him in situations of temptation. A companion and thematic extension of The Immoral Mr. Teas, Eve and the Handyman identifies an omnipresent female lust in one woman instead of many, in Meyer’s (former) wife, Eve.

She makes a game of tempting the handyman, arranging situations in which he is tempted by a beautiful, usually provocatively (un)dressed woman. One involves the delivery of two scoops of vanilla ice cream with two meticulously-placed cherries by a similarly-proportioned waitress. In another, he encounters a hitchhiker who has eschewed an item of clothing for every car that passes her. He stops, responsibly hands her a jacket, and leaves.

Eve illustrates one of Meyer’s ironies, that he’s a filmmaker with unpretentious chauvinist interests, yet his primary character is an empowered female. Like Mr. Teas, Eve is more of a series of related scenarios than it is a meandering narrative. It is of merit, however, as the type of viewer that would object to this film is its principal character.


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  1. rumsey
    5 May 2006
    6:03 AM
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    Anthony James Ryan R.I.P.:

    I remember him in the middle of the Arizona desert on Supervixens!, supervising a post-hole being dug by a USC film student. “You know what he said?” Ryan asked me. “He said, ‘I’m a student of the cinema and all I’m learning to do is dig post-holes’!” The post-hole was for the base of a telephone. But the telephone was designed to bolt to concrete. It sat too low in the ground, so the intern had to refill the hole. “Now you’re really learning about the cinema,” Ryan told him.

    — Obituary by Roger Ebert


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Credits

Directed by
Russ Meyer

Review by
Rumsey Taylor

Source
RM Films VHS


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