What do you think she meant when she said “a huge black monster with giant claws”?
Kenneth Anger’s film features a costumed midget, some ejaculatory waterworks, and a little Vivaldi. It’s as visually sumptuous, technically impressive, and utterly spellbinding an avant-garde film as one is likely to see, locating Anger in the genealogy of Michael Powell and Josef von Sternberg.
by Leo Goldsmith | Source: 16mm Print
25 Apr 2005 11:35 PM | Submit Comment