Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
November 2005 activity
Total Log Entries: 41
- Adam (0)
- Andrew (0)
- Chet (0)
- Chiranjit (8)
- David (0)
- Eva (0)
- Evan (0)
- Ian (7)
- Jenny (0)
- Katherine (0)
- Leo (8)
- Megan (0)
- Rumsey (15)
- Teddy (0)
- Thomas (0)
- Timothy (0)
- Victoria (0)
Total Comments: 15
- Untitled 3b (0)
- Ali: Fear Eats the Soul (0)
- Made In Britain (0)
- Chungking Express (0)
- Changing Times (0)
- War of the Worlds (14)
- The Wages of Fear (0)
- Le Samouraï (0)
- The Tales of Hoffmann (0)
- Bring It On (0)
- War of the Worlds (0)
- The Miracle of Morgan’s Creek (0)
- Battle in Heaven (0)
- Everlasting Regret (0)
- The Death of Mr. Lazarescu (0)
- The Thin Blue Line (0)
- The Devil’s Rejects (0)
- House of 1000 Corpses (0)
- Grizzly Man (0)
- Jonah Who Will Be 25 in the Year 2000 (0)
- An Angel at My Table (0)
- Eyes Without a Face (0)
- Se7en (0)
- Pride & Prejudice (0)
- Dude, Where’s My Car? (0)
- Good Night, and Good Luck (0)
- Pickpocket (0)
- masculin féminin (0)
- The Manxman (0)
- Land of the Dead (0)
- Oldboy (0)
- Bully (0)
- Signs (1)
- Jarhead (0)
- Perfumed Nightmare (0)
- Evil Dead II (0)
- Champagne (0)
- Return of the Dragon (0)
- Spring in a Small Town (0)
- Hong Kong Nocturne (0)
- Reassemblage (0)
Full Archive
Advertisements
The Devil’s Rejects / USA / 2005
Foremost, The Devil’s Rejects is noticeably more accomplished than Rob Zombie’s prior effort about a family of voracious, savage killers. The film, like its predecessor, is also replete with homages to other films. (This trait is made explicit when a police force enlists a Gene Shalit clone to verify the references to Marx Brothers films.) Somewhat derivative, but it is a solid genre effort. At least, the finale, in which Free Bird is blared almost in its entirety, is one of the most appropriate uses of an ironic pop song since Reservoir Dogs.
by Rumsey Taylor | Source: Lions Gate DVD
21 Nov 2005 11:56 AM | Submit Comment