Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
December 2005 activity
Total Log Entries: 53
- Adam (0)
- Andrew (0)
- Chet (0)
- Chiranjit (8)
- David (0)
- Eva (0)
- Evan (0)
- Ian (15)
- Jenny (3)
- Katherine (0)
- Leo (5)
- Megan (0)
- Rumsey (17)
- Teddy (0)
- Thomas (0)
- Timothy (0)
- Victoria (0)
Total Comments: 10
- The New World (0)
- Blackmail (0)
- King Kong (0)
- The Squid and the Whale (0)
- Italian For Beginners (0)
- La Chinoise (0)
- Cabin Fever (0)
- Match Point (2)
- Munich (2)
- The Family Stone (0)
- The Manchurian Candidate (0)
- Marnie (0)
- The World (0)
- Citizen Kane (0)
- A Charlie Brown Christmas (0)
- Rope (1)
- Drums Along The Mohawk (0)
- L’Intrus (0)
- The Beat That My Heart Skipped (0)
- Mulholland Dr. (2)
- The Family Stone (0)
- Walk the Line (0)
- Birth (0)
- Vincent and Theo (0)
- The Ghost Ship (0)
- Last Days (0)
- Mysterious Skin (0)
- In the Mood for Love (0)
- 2046 (0)
- The Lady Vanishes (0)
- The Big Lebowski (0)
- L’Enfant (0)
- Frenzy (0)
- Van Gogh (0)
- Superstar: The Karen Carpenter Story (0)
- Grizzly Man (0)
- Rebel Without a Cause (0)
- The Rocky Horror Picture Show (0)
- Brokeback Mountain (0)
- The Body Snatcher (0)
- Brokeback Mountain (3)
- King Kong (0)
- Match Point (0)
- The Brothers Grimm (0)
- The Fury (0)
- Vertigo (0)
- Broken Flowers (0)
- Primer (0)
- Syriana (0)
- Look At Me (0)
- The Philadelphia Story (0)
- Sin City (0)
- Afrique, je te plumerai (0)
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Van Gogh / France / 1991
Is this the best ever artist biopic ever made? Very close to that, probably because this portrait of Van Gogh, with his passion, his orneriness, his pursuit of his art in spite of financial failure, and his fits of rage against those near and dear to him, amounts to a self-portrait of Pialat himself. The film hardly puts a foot wrong. It completely ignores the “mad Vincent” part of the popular Van Gogh mythology (cf Tim Roth’s Van Gogh in Altman’s Vincent and Theo). It’s fascinating in the way on the one hand it deals in sudden narrative ellipses and on the other constructs tremendous sequences of “dead time” (consider the lengthy sequences around Theo’s visit – the lunch, the walk along the riverbank etc). And its magnificent in its evocation of the painting of the day not through direct imitation but more indirect allusion. Look at the scenes by the riverbank where Renoir, father and son, are both invoked.
by Ian Johnston | Source: Artificial Eye DVD
15 Dec 2005 11:51 AM | Submit Comment