Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
December 2005 activity
Total Log Entries: 53
- Adam (0)
- Andrew (0)
- Chet (0)
- Chiranjit (8)
- David (0)
- Eva (0)
- Evan (0)
- Ian (15)
- Jenny (3)
- Katherine (0)
- Leo (5)
- Megan (0)
- Rumsey (17)
- Teddy (0)
- Thomas (0)
- Timothy (0)
- Victoria (0)
Total Comments: 10
- The New World (0)
- Blackmail (0)
- King Kong (0)
- The Squid and the Whale (0)
- Italian For Beginners (0)
- La Chinoise (0)
- Cabin Fever (0)
- Match Point (2)
- Munich (2)
- The Family Stone (0)
- The Manchurian Candidate (0)
- Marnie (0)
- The World (0)
- Citizen Kane (0)
- A Charlie Brown Christmas (0)
- Rope (1)
- Drums Along The Mohawk (0)
- L’Intrus (0)
- The Beat That My Heart Skipped (0)
- Mulholland Dr. (2)
- The Family Stone (0)
- Walk the Line (0)
- Birth (0)
- Vincent and Theo (0)
- The Ghost Ship (0)
- Last Days (0)
- Mysterious Skin (0)
- In the Mood for Love (0)
- 2046 (0)
- The Lady Vanishes (0)
- The Big Lebowski (0)
- L’Enfant (0)
- Frenzy (0)
- Van Gogh (0)
- Superstar: The Karen Carpenter Story (0)
- Grizzly Man (0)
- Rebel Without a Cause (0)
- The Rocky Horror Picture Show (0)
- Brokeback Mountain (0)
- The Body Snatcher (0)
- Brokeback Mountain (3)
- King Kong (0)
- Match Point (0)
- The Brothers Grimm (0)
- The Fury (0)
- Vertigo (0)
- Broken Flowers (0)
- Primer (0)
- Syriana (0)
- Look At Me (0)
- The Philadelphia Story (0)
- Sin City (0)
- Afrique, je te plumerai (0)
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L’Enfant / Belgium/France / 2005
There’s been some criticism that the Dardenne Brothers are now simply repeating themselves. Yes, style and setting are the same, but subtle variations are at play here (the camerawork is less intense, less in unrelenting pursuit of its protagonist as it was in Le Fils), to produce a magnificent piece of filmmaking. A simplicity of means and a profound humanism are the source of what is among the very best filmmaking being practised today.
by Ian Johnston | Source: 35mm print
15 Dec 2005 12:11 PM | Submit Comment