Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
February 2006 activity
Total Log Entries: 47
- Adam (3)
- Andrew (0)
- Chet (0)
- Chiranjit (0)
- David (0)
- Eva (0)
- Evan (0)
- Ian (6)
- Jenny (1)
- Katherine (0)
- Leo (10)
- Megan (0)
- Rumsey (12)
- Teddy (0)
- Thomas (3)
- Timothy (0)
- Victoria (0)
Total Comments: 35
- Curse of the Cat People (0)
- Munich (0)
- Elephant (0)
- Bill & Ted’s Bogus Journey (0)
- The Wicker Man (1)
- New York Doll (0)
- Winter Passing (3)
- The New World (4)
- Date Movie (2)
- The Lost World (0)
- Transamerica (0)
- Paths Of Glory (0)
- Dark City (0)
- What Time is it There? (0)
- Crime Wave (2)
- Syriana (0)
- Batman Begins (6)
- How To Lose A Guy In Ten Days (0)
- Four Brothers (0)
- Munich (0)
- Little Fish (0)
- The Ballad of Cable Hogue (0)
- Out of the Past (0)
- Wind Across the Everglades (6)
- Rebel Without a Cause (0)
- The Lusty Men (0)
- Ghostbusters (0)
- Manderlay (0)
- The Rite (1)
- Neil Young: Heart of Gold (0)
- Mutiny on the Bounty (0)
- Breaking Away (1)
- Hero (0)
- Day For Night (0)
- Secret Defense (0)
- Over The Edge (0)
- Darkman (2)
- Ryan (0)
- Rubber Johnny (0)
- The Three Burials Of Melquiades Estrada (0)
- Little Otik (0)
- Elizabethtown (0)
- Peeping Tom (1)
- Hellboy (0)
- The 40 Year-Old Virgin (0)
- Monterey Pop (0)
- Badlands (6)
Full Archive
Advertisements
Ryan / USA / 2004
Chris Landreth’s animated short film is mesmerizing, housing a family of obscene caricatures, broken faces held together by sinew, and eruptions of neon fibers to correspond with suddenly elicited emotions. Technically, this is an obvious landmark in computer animation – it looks like an imagined scenario rather than one that strives to duplicate reality with accuracy – but it is depressive as it cements its subject (legendary Canadian animator Ryan Larkin) as an artist overwhelmed by his vices. Larkin, nominated for an Academy Award in 1969, hasn’t produced any work in over twenty-five years; this film about him won an Oscar in 2005.
by Rumsey Taylor | Source: Sundance Channel
10 Feb 2006 11:14 AM | Submit Comment