Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
May 2006 activity
Total Log Entries: 54
- Adam (7)
- Andrew (0)
- Chet (0)
- Chiranjit (1)
- David (0)
- Eva (0)
- Evan (0)
- Ian (7)
- Jenny (2)
- Katherine (0)
- Leo (5)
- Megan (0)
- Rumsey (9)
- Teddy (0)
- Thomas (4)
- Timothy (0)
- Victoria (0)
Total Comments: 16
- Iraq in Fragments (0)
- The Running Man (0)
- X-Men: The Last Stand (7)
- Possession (0)
- The Late Shift (0)
- The Long Goodbye (0)
- Landscape After Battle (0)
- A double tour (0)
- The Damned (1)
- Good Night, And Good Luck. (0)
- Powder (0)
- Three Times (0)
- The Da Vinci Code (1)
- Time Walker (0)
- Days of Heaven (0)
- The Dark Corner (0)
- Mission: Impossible III (0)
- They Live! (0)
- One Of Our Aircraft Is Missing (0)
- High Fidelity (0)
- Tirez Sur La Pianiste (0)
- X- Men (0)
- Deconstructing Harry (0)
- In the Realms of the Unreal (0)
- Down in the Valley (0)
- Breaking the Waves (0)
- Hoosiers (1)
- Birth (0)
- The Curse of the Werewolf (0)
- Versus (0)
- Evil Dead II (0)
- The Best of Youth (0)
- The Umbrellas of Cherbourg (0)
- A Prairie Home Companion (0)
- The Asphalt Jungle (0)
- The Maltese Falcon (0)
- Mission: Impossible III (0)
- Repulsion (0)
- Trouble Every Day (3)
- Bambi (0)
- Mission: Impossible 3 (0)
- The Village (0)
- Invasion of the Body Snatchers (0)
- Enron: The Smartest Guys in the Room (1)
- Overnight (0)
- Dig! (1)
- Gates of Heaven (0)
- The Outsiders (0)
- Mystery Men (1)
- Bill & Ted’s Excellent Adventure (0)
- C.R.A.Z.Y. (0)
- The Empire in Africa (0)
- My Grandmother’s House (0)
- Psycho (0)
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The Damned / La caduta degli dei / Italy / Switzerland / W. Germany / 1969
It seems amazing now to think that The Damned’s Night of the Long Knives sequence was once considered a tour de force of cinema. For all Visconti’s overt intentions at indicting German business’s guilty and doomed involvement in Nazism, this film ends up as little more – but so long! – than an exercise in Nazi chic. The expressionist touches are great – the pools of dark blue light on Bogarde in bed, the greenish light illuminating Ingrid Thulin’s face – but too often this veers too close to being simply bad.
by Ian Johnston | Source: WB DVD
23 May 2006 12:59 PM | Comments (1)
Austin Burbridge / 23 May 2006 / 6:07 PM / URL
Part of the drama of this artistic creation is seeing how very close the filmmaker skirts disaster — and anyway, is lurid really the same thing as bad?
The real failures are those films which treat the Nazis with tasteful decorum. If you cannot paint these damned characters with green light, why have a green light at all?
This recalls David Cronenberg’s CRASH — it is tasteful at precisely the moment when its story demands that good taste be violated