Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
June 2006 activity
Total Log Entries: 38
- Adam (2)
- Chet (0)
- Chiranjit (0)
- Cullen (0)
- David (0)
- Eva (0)
- Evan (0)
- Ian (1)
- Jenny (0)
- Katherine (0)
- Leo (13)
- Megan (0)
- Rumsey (8)
- Teddy (0)
- Thomas (1)
- Victoria (0)
Total Comments: 13
- The Passenger (0)
- Zabriskie Point (0)
- Twin Peaks: Fire Walk With Me (0)
- Total Recall (0)
- The Thin Blue Line (0)
- Vernon, Florida (0)
- Gates of Heaven (0)
- The Hills Have Eyes (0)
- Munich (1)
- Overboard (0)
- A Short Film About Killing (0)
- A Reason to Live (0)
- … Forever and Always … (0)
- The Mongreloid (0)
- Hold Me While I’m Naked (0)
- Little Red Flowers (0)
- Big Trouble In Little China (0)
- United 93 (1)
- Equinox (0)
- The Long Kiss Goodnight (0)
- Audition (0)
- X Men: The Last Stand (2)
- Dazed and Confused (4)
- Brother’s Keeper (1)
- La Notte (0)
- The Forgotten (0)
- Beyond the Valley of the Dolls (0)
- A Prairie Home Companion (0)
- Aliens (0)
- Torn Curtain (1)
- Laputa: Castle in the Sky (0)
- Czech Dream (0)
- The Night of the Hunter (0)
- Virus (0)
- Videodrome (0)
- A.I. (0)
- The Osterman Weekend (0)
- Commando (3)
Full Archive
… Forever and Always … / USA / 1978
A gawdy and labyrinthine cautionary tale about infidelity and the travails of child-rearing, via some of George Kuchar’s most distended pop-culture pastiche. Kuchar was apparently commissioned to document a “Hooray for Kids!” festival in his adoptive hometown of San Francisco, but his interpretation of the proceedings (featuring a mother dragging two kids through throngs of people in trash-filled streets) isn’t exactly in the event’s intended spirit.
I watched this in the same evening as Eastwood’s The Bridges of Madison County, and while both films deal with the cruel indignity of housewifery, at least Kuchar’s film is self-consciously one-dimensional.
by Leo Goldsmith | Source: Connoisseur Video
26 Jun 2006 1:39 PM | Submit Comment
