Screening Log

This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.


July 2006 activity

Total Log Entries: 71

Total Comments: 23


Full Archive



25th Hour / USA / 2002

It seems that the United States is more regularly disparaged in recent films than it is honored, for its political activity as well as the easily derided personas of its Presidents hastily obscures its virtues. It is remarkable that in 25th Hour – one of the most responsible American films thus far this decade — both extols these virtues and disparages the country at once. Monty, a convicted drug dealer, pronounces and oppresses most every prominent ethnic stereotype in New York City in a tirade noticeably evocative of Do the Right Thing—he is channeling a larger, post-9-11 xenophobia. But the anger exhausts him. With nothing left to hate but himself, he begins to see the good in others, as well as his country. The final sequence in which he imagines a drive west with his father is uncommonly beautiful.

by Rumsey Taylor | Source: VHS screener
07 Jul 2006 11:07 AM | Comments (1)


Comments / 1 total / Submit Comment

  1. rob / 7 July 2006 / 4:46 PM / URL

    This is one of my absolute favorite films of the past few years , and I’d even put it in my personal top twenty. It captures and reflects so much about our collective mentality since 9/11, and it seems the fact that the film is also at points confused and unsure of exactly what it is saying is what has made it less heralded than I think it should be. Lee’s focus here is in the confusion and self-examination, his profundity found in the flaws and erratic rhythms of a life full of unexpected rifts. The final sequence you mention is one of my favorite in any film – such an incredible marriage of both visual and verbal poetry. The opening credits sequence is a whopper as well.

    People say that United 93 (or the very idea of any 9/11 film) was too soon, an idea I scoff at. Firstly, this is because most people think of films only as entertainment, not as an art form that can help a culture cope and come to terms with such a massive tragedy. My hope is that in time people will realize that Spike Lee was the first filmmaker to approach 9/11 awareness in film, and hardly more than a year after the fact. Why wait to begin the healing process, especially when film can help so much?

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