Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
August 2006 activity
Total Log Entries: 61
- Adam (7)
- Andrew (0)
- Chet (0)
- Chiranjit (3)
- David (0)
- Eva (0)
- Evan (0)
- Ian (0)
- Jenny (6)
- Katherine (0)
- Leo (11)
- Megan (0)
- Rumsey (17)
- Teddy (0)
- Thomas (0)
- Timothy (0)
- Victoria (0)
Total Comments: 60
- Charlie and the Chocolate Factory (2)
- Trust the Man (0)
- Velvet Goldmine (0)
- Lethal Weapon 3 (2)
- The Fountainhead (4)
- The Thief Of Bagdad (0)
- Invasion Of The Thunderbolt Pagoda (0)
- Twelve And Holding (0)
- Idlewild (0)
- Willard (1)
- Le Samouraï (0)
- Punch-Drunk Love (1)
- Strangers With Candy (0)
- Snakes on a Plane (0)
- Lucifer Rising (8)
- Inside Man (1)
- Airplane 2:The Sequel (0)
- Husbands And Wives (0)
- Lady In The Water (0)
- World Trade Center (0)
- Scotch Tape (0)
- Collateral (1)
- 8 ½ (0)
- Faster Pussycat! Kill! Kill! (0)
- Heat (3)
- Gloria (2)
- In Her Shoes (0)
- My Blue Heaven (1)
- InnerSpace (0)
- Gimme Shelter (0)
- Buffy The Vampire Slayer (1)
- Under Siege (0)
- Tron (0)
- The ‘Burbs (6)
- The Night Listener (0)
- The Wicker Man (1)
- Tristram Shandy (0)
- A History of Violence (1)
- Bad Boys II (1)
- subUrbi@ (2)
- The Descent (0)
- Elevator to the Gallows (0)
- The Dreamers (0)
- Unfaithfully Yours (0)
- Miami Vice (2)
- The Village (10)
- Lady in the Water (1)
- Pumping Iron II: The Women (0)
- Louisiana Story (0)
- Caché (0)
- Miami Vice (1)
- A Scanner Darkly (0)
- Miami Vice (5)
- Dave Chappelle’s Block Party (0)
- The Movie Movie (An Excerpt) (3)
- Building No. 7 (0)
- Born Like Stars (0)
- More (0)
- Sleepaway Camp (0)
- The Hills Have Eyes (0)
- The Thin Red Line (0)
Full Archive
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Punch-Drunk Love / USA / 2002
In an early scene novelty prop entrepreneur Barry Egan exits his warehouse and looks toward a rising sun in the early morning. A steadicam closely in tow, the sunlight pours in to the frame, refracting in a kaleidoscope of pastels that introduce a rich palette—in a later scene in a grocery store, even, the colors are vibrant and ethereal. Aesthetically, this renders Paul Thomas Anderson’s fourth film a fantasy in its carefully designed artifice. And, by this measure, its romantic trajectory is somewhat traditional, but this all obscures the gravity, desperation, and brimming hostility available in almost each of the principle characters: Barry and his sporadic bursts of violence, his sisters’ incessant abuse, the brothers who steal his money (for an indecent sum), or the phone-sex operator who blackmails him. The entire film is summated in a brilliant scene in which Barry and his romantic pursuer, Lena, engage in indescribably violent pillow talk—that it is also totally adorable is Punch-Drunk Love’s defining idiosyncrasy.
by Rumsey Taylor | Source: Sony Pictures DVD
24 Aug 2006 9:45 AM | Comments (1)
Andrew Anderson / 24 August 2006 / 6:51 PM
I understand why audience’s didnt like the film in its initial release. The film is not your typical “Adam Sandler” comedy. Its brilliant, funny, romantic, and oddly poignant. Its also Sandler’s best performance to date.