Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
September 2006 activity
Total Log Entries: 51
- Adam (3)
- Andrew (0)
- Chet (0)
- Chiranjit (3)
- David (0)
- Eva (0)
- Evan (0)
- Ian (10)
- Jenny (3)
- Katherine (0)
- Leo (6)
- Megan (0)
- Rumsey (10)
- Teddy (0)
- Thomas (0)
- Timothy (0)
- Victoria (0)
Total Comments: 37
- Melinda and Melinda (0)
- Caravaggio (2)
- Get Carter (2)
- Beijing Bicycle (2)
- A Scanner Darkly (3)
- When A Woman Ascends The Stairs (0)
- The Black Dahlia (0)
- Lacombe, Lucien (0)
- Death Race 2000 (0)
- I Vitelloni (15)
- Pacific Heights (0)
- Brick (0)
- The Science of Sleep (0)
- The Devil and Daniel Johnston (0)
- Mr. Arkadin (0)
- Sisters of the Gion (0)
- The Night of the Hunter (0)
- Phantasm (0)
- Special (1)
- Midnight Run (1)
- Noi Albinoi (1)
- Two for the Road (0)
- Great Railway Journeys of the World: Confessions of a Train Spotter (0)
- Land Of The Dead (0)
- Cabaret (0)
- The History Boys (0)
- Little Miss Sunshine (0)
- Road House (0)
- When the Levees Broke (1)
- Marnie (6)
- Baby Doll (0)
- Cat On A Hot Tin Roof (0)
- Playtime (0)
- The Girl Can’t Help It (2)
- Ali (0)
- Boogie Nights (0)
- Brazil (1)
- Bad Timing (0)
- The Disorderly Orderly (0)
- Seven Samurai (0)
- Cracked Actor (0)
- Letter From An Unknown Woman (0)
- Scanners 2: The New Order (0)
- Kicking and Screaming (0)
- The Rapture (0)
- Inside Man (0)
- Dracula: Dead and Loving It (0)
- She Wore A Yellow Ribbon (0)
- Fort Apache (0)
- Little Miss Sunshine (0)
- The Illusionist (0)
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Fort Apache / U.S.A. / 1948
OK, in spite of pretty unqualified admiration for both Stagecoach and My Darling Clementine I do have problems with a lot of John Ford films, including this one. On the plus side: a critical perspective on American history that essentially covers all the points that will be drawn out rather tediously in the official mea culpa almost 20 years later, Cheyenne Autumn; a stunning look to the b&w cinematographer; a fine performance by Wayne as the sympathetic audience surrogate. But in the end the negatives outweigh the positives, principally: the nauseating juvenile romantic leads; the usual tiresome Irish roustabout hijinks (no, I’ll never watch The Quiet Man again); and, at the end, a sudden conservative retreat before the implications of the film’s theme.
by Ian Johnston | Source: Warner Bros DVD
03 Sep 2006 12:51 PM | Submit Comment