Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
October 2006 activity
Total Log Entries: 57
- Adam (6)
- Andrew (0)
- Chet (0)
- Chiranjit (3)
- David (0)
- Eva (0)
- Evan (0)
- Ian (3)
- Jenny (0)
- Katherine (0)
- Leo (9)
- Megan (0)
- Rumsey (16)
- Teddy (0)
- Thomas (4)
- Timothy (0)
- Victoria (0)
Total Comments: 43
- Don’t Look Now (1)
- Little Children (1)
- Running with Scissors (0)
- The Prestige (2)
- Dumbland (0)
- Art School Confidential (0)
- Aguirre: The Wrath of God (0)
- The Hills Have Eyes (0)
- Brick (0)
- The Host (0)
- Sólo con tu pareja (1)
- Marie Antoinette (0)
- Lighten Up (0)
- Heavy Metal Drummer (0)
- Click (0)
- Poseidon (0)
- Dracula (0)
- Kissed (0)
- The Pit (0)
- Airplane II: The Sequel (0)
- Endless Descent (0)
- Wolf Creek (0)
- The White Diamond (1)
- The Departed (1)
- The Queen (0)
- The Last King of Scotland (9)
- Bobby (1)
- The Science of Sleep (1)
- The Departed (0)
- Storefront Hitchcock (0)
- passage à l’acte (0)
- pièce touchée (2)
- The Spirit of the Beehive (0)
- Death Of A President (1)
- The Da Vinci Code (1)
- The Hard Way (1)
- The Departed (2)
- The Departed (0)
- Frenzy (0)
- The Trouble with Harry (0)
- The Best of Everything (0)
- Purple Noon (3)
- Election (11)
- A Journey to Avebury (0)
- Blue Velvet (1)
- Old Joy (0)
- Blood Sucking Nazi Zombies (0)
- World Trade Center (1)
- Silent Hill (0)
- The Last King of Scotland (0)
- Army of Shadows (0)
- Harlan County, U.S.A. (0)
- 9 Songs (0)
- Shock Treatment (0)
- Children Of Men (1)
- Happy Gilmore (1)
- Manic (0)
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pièce touchée / Austria / 1989
A brilliant, kaleidoscopic short work from the Viennese post-post-structuralist Martin Arnold. The film takes a single, innocuous shot from an old Hollywood film (any ideas what film it is?) — a man enters a room where a woman sits reading in an armchair; they chat and then walk across the room together — and relentlessly manipulates each frame until each tiny movement of the actors and the camera becomes weighted with significance. Arnold expands the boundaries of this basic form in his subsequent work (adding sound and broadening the scope to entire films, not just scenes), but this is a beautifully concise expression of a deconstructive mania that fully exploits all of the minute, incidental concordances and artificial peculiarities in each frame.
by Leo Goldsmith | Source: Re:Voir VHS
12 Oct 2006 2:25 PM | Comments (2)
Conor / 12 October 2006 / 7:40 PM
Bullets Over Broadway?
Conor / 12 October 2006 / 7:42 PM
Bram Stoker’s Drvcula?