Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
March 2007 activity
Total Log Entries: 60
- Adam (12)
- Andrew (0)
- Chet (0)
- Chiranjit (2)
- David (0)
- Eva (0)
- Evan (0)
- Ian (0)
- Jenny (0)
- Katherine (0)
- Leo (11)
- Megan (0)
- Rumsey (1)
- Teddy (0)
- Thomas (5)
- Timothy (0)
- Victoria (0)
Total Comments: 32
- Hands Across the Table (0)
- 300 (0)
- It’s All Gone Pete Tong (0)
- The Earrings of Madame de… (0)
- Zodiac (0)
- The Earrings of Madame de… (2)
- Sympathy for Lady Vengeance (0)
- The Wrong Guy (0)
- The Host (0)
- Stakeout (0)
- Tenacious D in The Pick Of Destiny (0)
- The Queen (1)
- Goodfellas (2)
- Pretty Woman (0)
- The Host (0)
- Zombi 3 (0)
- Behind the Mask: The Rise of Leslie Vernon (0)
- The Brood (1)
- Idiocracy (0)
- Tideland (0)
- 300 (3)
- Zombie (0)
- Hands Across the Table (0)
- Away From Her (0)
- They All Laughed (1)
- Checking Out (0)
- Capote (0)
- My Favorite Wife (0)
- Bullitt (1)
- Spring, Summer, Fall, Winter… and Spring (0)
- The Hidden (0)
- The Thing (0)
- The Host (1)
- Red Road (0)
- Notes On A Scandal (0)
- Inland Empire (7)
- I Confess (0)
- 300 (2)
- Fox & His Friends (0)
- Lamp (0)
- Boat (0)
- Industrial Soundscape (0)
- The Fly (0)
- The Prestige (2)
- A Perfect Candidate (0)
- A Texas Funeral (0)
- Little Dieter Needs to Fly (0)
- Moulin Rouge! (0)
- Starter for Ten (0)
- La Vie en Rose (1)
- Music and Lyrics (1)
- Into Great Silence (0)
- Kingdom Of Heaven (1)
- The Good Shepherd (0)
- Point Break (0)
- The Devil Wears Prada (1)
- Hot Fuzz (4)
- Talladega Nights (0)
- Music And Lyrics (0)
- A History of Violence (1)
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La Vie en Rose / La Môme / France / 2007
La Vie en Rose has the feel of a traditional Hollywood biopic, which is to say that what it doesn’t deliver in terms of filmmaking it more than makes up for in terms of performance. Marion Cotillard (who I last saw playing Russell Crowe’s token European love interest in A Good Year) is a revelation as Edith Piaf, channeling the singer’s tumultuous life with such ferocity and vivacity that I felt somewhat exhausted by the time the credits rolled (though the film’s running time might have also had something to do with that). It’s a remarkable performance, and if she’s not up on that Oscar podium next year, I’ll be shocked.
by Beth Gilligan | Source: Picturehouse 35mm print
02 Mar 2007 10:42 PM | Comments (1)
Gary / 10 March 2007 / 2:57 PM
As an American on business in Germany, I had the opportunity of seeing this in Munich, dubbed in German ( I speak neither German nor French). Without being able to understand either the dialogue or the songs (I’ve loved Edith Piaf for 40 years without understanding a word when sung in French), I was completely bowled over by this film. To say that Marion Cotillard is a revelation is putting it mildly. She so captures every nuance of Ms. Piaf, you lose sight of the fact she is only acting. While the film moves back and forth in time at a jarring pace, it is only near the end that you finally realize that each flash back, each flash forward, ties her sordid upbringing to her untmely passing. Brilliant film making!!!!!!!