Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
April 2007 activity
Total Log Entries: 50
- Adam (6)
- Andrew (0)
- Chet (0)
- Chiranjit (6)
- David (0)
- Eva (0)
- Evan (0)
- Ian (6)
- Jenny (0)
- Katherine (0)
- Leo (7)
- Megan (0)
- Rumsey (8)
- Teddy (0)
- Thomas (0)
- Timothy (0)
- Victoria (0)
Total Comments: 20
- Grindhouse (0)
- Spider-Man 2.1 (0)
- The Shop Around the Corner (0)
- Chimes At Midnight (3)
- Heavy Weights (0)
- The Bothersome Man (3)
- Blood Diamond (0)
- Starter For Ten (0)
- Ace In The Hole (0)
- Flushed Away (0)
- Sunshine (2)
- Local Hero (0)
- Children Of Men (0)
- The Science of Sleep (0)
- La Kermesse Heroique (0)
- House By The River (0)
- Seraphim Falls (0)
- Eagle vs Shark (0)
- Manhattan (0)
- Year of the Dog (0)
- Kaw (0)
- Grindhouse (2)
- The Philadelphia Story (0)
- Bringing Up Baby (0)
- Purple Rain (2)
- Krapp’s Last Tape (0)
- Hot Fuzz (0)
- The Namesake (0)
- Dial M For Murder (0)
- Sunshine (4)
- Zodiac (1)
- Fast Food Nation (0)
- Labyrinth (0)
- The Second Circle (0)
- Cursed (0)
- The Wind That Shakes the Barley (0)
- The Awful Truth (0)
- Hot Fuzz (1)
- Children of Men (0)
- Stalker (0)
- Advise and Consent (1)
- Gates of Heaven (0)
- The Ox-Bow Incident (0)
- Shoah (0)
- The Killing of a Chinese Bookie (0)
- Piranha (0)
- The Namesake (0)
- Rushmore (1)
- Blades of Glory (0)
- Black (0)
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Seraphim Falls / USA / 2006
Westerns are such a rare occurrence nowadays that Seraphim Falls offers a double pleasure: the chance to see a western in a cinema in the first place; and one that works remarkably well. Director David Von Ancken knows his westerns and that knowledge has fed into this revenge story, obviously with influences above all from The Searchers and Anthony Mann. There’s a real expansiveness and mythological weight to the landscape here as the story descends from snowy mountains, through settled valleys and the open plains, and ending up in the desert. The story perspective is that of the pursued (rather as if The Searchers was told from the point of view of Scar), played by a marvellously shaggy-bearded Pierce Brosnan, as far away from 007 as possible, with the result that the obsessiveness of Liam Neeson’s vengeful pursuer maybe becomes too much of a given right from the start — and especially as Brosnan’s moral responsibility for the original atrocity is later softened in the inevitable flashback.
The film turns weirdly unrealistic towards the end, with Wes Studi’s wise Indian and Anjelica Huston’s snakeoil hawker turning up in the middle of the desert to dispense wisdom, but by this stage it’s clear that Von Ancken has transformed the film into an allegory of post-Civil War national reconciliation. And if you accept this change, the image of the two men wandering off away from one another and literally fading into the desert is a very satisfying one.
by Ian Johnston | Source: 35mm print
29 Apr 2007 1:01 PM | Submit Comment