Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
May 2007 activity
Total Log Entries: 39
- Adam (4)
- Andrew (0)
- Chet (0)
- Chiranjit (2)
- David (0)
- Eva (0)
- Evan (0)
- Ian (2)
- Jenny (3)
- Katherine (0)
- Leo (1)
- Megan (0)
- Rumsey (8)
- Teddy (0)
- Thomas (0)
- Timothy (0)
- Victoria (0)
Total Comments: 13
- Mamma Roma (0)
- Mutual Appreciation (0)
- 8 ½ Women (0)
- Wings of Hope (0)
- Little Dieter Needs to Fly (0)
- The Long Goodbye (0)
- Elizabeth R (0)
- Utamaro and His Five Women (0)
- Knocked Up (0)
- Undeclared (0)
- Hot Fuzz (4)
- Windhorse (0)
- The Portrait Of A Lady (0)
- 300 (0)
- Cache (4)
- The Wild Blue Yonder (0)
- London To Brighton (0)
- Letters From Iwo Jima (1)
- Baby Doll (0)
- The History Boys (0)
- 28 Weeks Later (0)
- Spider-Man 3 (0)
- Brand Upon the Brain! (0)
- Wagon Master (0)
- Spider-Man 3 (0)
- Year of the Dog (0)
- After the Wedding (0)
- Zodiac (0)
- Disturbing Behavior (0)
- Spider-Man 3 (0)
- The Hidden (1)
- Zodiac (0)
- Spider-Man 3 (3)
- Sexy Beast (0)
- Grindhouse (0)
- Paradise Lost 2 (0)
- Paradise Lost (0)
- The Crusades (0)
- Medea (0)
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Letters From Iwo Jima / USA / 2006
Clint’s best since Unforgiven without a doubt, and a very worthy Best Picture nominee, easily the strongest in a very weak field. The grainy, digitised, almost B&W cinematography renders the film a little dark and muddy, but that was doubtless the intention- this is a bleak and relentless film, a rare cinematic study of defeat.
by Tom Huddleston | Source: DVD
20 May 2007 6:25 AM | Comments (1)
Fred / 20 May 2007 / 7:12 PM
I think Letters is a better movie than Unforgiven. Mind you, I think the same thing about Mystic River and the terrific Million Dollar Baby. Eastwood’s career has been something else of late. Makes you wonder why most American directors have traditionally left their greatest work behind them by the time they hit their 60’s, yet here’s Eastwood in his late 70’s making some of the greatest movies around. That’s almost unprecedented – in fact it may well BE unprecedented – I certainly can’t think of another American director who made so many great movies this late in life. There are European equivalents for sure, but American?