Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
July 2007 activity
Total Log Entries: 54
- Adam (10)
- Chet (0)
- Chiranjit (1)
- Cullen (0)
- David (0)
- Eva (0)
- Evan (0)
- Ian (4)
- Jenny (0)
- Katherine (0)
- Leo (0)
- Megan (0)
- Rumsey (10)
- Teddy (0)
- Thomas (0)
- Victoria (0)
Total Comments: 14
- Breach (0)
- Rescue Dawn (0)
- Little Dieter Needs to Fly (0)
- Bringing Up Baby (0)
- They Drive By Night (0)
- Live Free Or Die Hard (0)
- 28 Weeks Later (0)
- Das Leben Der Anderen (0)
- The Simpsons Movie (0)
- The Lake House (0)
- Slither (0)
- The Prestige (0)
- Hana (0)
- Gamlet (0)
- Notes On A Scandal (0)
- 1900 (0)
- Babyface (0)
- Black Snake Moan (0)
- Old Joy (0)
- Mr. Brooks (0)
- Harry Potter And The Order Of The Phoenix (0)
- Dreamscape (0)
- The Petrified Forest (0)
- Zodiac (0)
- Hannibal Rising (0)
- End Of The Century (0)
- I Know Where i’m Going (0)
- Roots Daughters (0)
- Beerfest (0)
- Braindead (0)
- Run, Fat Boy, Run (0)
- Once (0)
- The Wind That Shakes the Barley (0)
- Deliver Us from Evil (1)
- The Fountain (0)
- Transformers (0)
- Transformers (2)
- The Holy Mountain (0)
- El Topo (0)
- Nightmare Alley (2)
- Spartan (0)
- The Magic Christian (0)
- Live Free or Die Hard (1)
- Orca (1)
- Find Me Guilty (1)
- Reign Over Me (0)
- Hannibal (0)
- Kingpin (0)
- Wet Hot American Summer (5)
- Tzameti (1)
- Daratt (0)
- Legacy (0)
- Hardware (0)
- Marie Antoinette (0)
Full Archive
The Wind That Shakes the Barley / Ireland/UK/France/Germany/Italy/Spain / 2006
A Picasso to Neil Jordan’s preemptive 1996 Elmyr de Hory, though viewing Michael Collins will heartlessly ruin the progression of Paul Laverty’s story. When Damien and Teddy argue over the treaty in a small, musty-aired room, it feels oh-so familiar: Liam Neeson’s Michael Collins and Alan Rickman’s Eamon de Valera arguing over the treaty in a large, musty-aired room. In each instance, both men are surrounded by their brethren—once friends and allies, and now divided foes. A well-constructed allegory, perhaps, or a story of how the desire for freedom—fighting, killing, and dying for something so precious—can trickle down into the hearts of everyone.
by Adam Balz | Source: IFC 35MM Theatrical Print
11 Jul 2007 6:03 PM | Submit Comment
