Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
November 2007 activity
Total Log Entries: 25
- Adam (8)
- Chet (0)
- Chiranjit (0)
- Cullen (0)
- David (0)
- Eva (1)
- Evan (0)
- Ian (0)
- Jenny (0)
- Katherine (0)
- Leo (0)
- Megan (0)
- Rumsey (7)
- Teddy (0)
- Thomas (1)
- Victoria (1)
Total Comments: 6
- Ratatouille (0)
- Secrets From Another Place (0)
- Black Narcissus (0)
- Star Trek: The Motion Picture (2)
- This Is England (0)
- Hail The Conquering Hero (0)
- American Gangster (0)
- Frozen (0)
- Paris Je T’Aime (0)
- Leonard Cohen: I’m Your Man (0)
- Shake Hands With The Devil (0)
- Fido (0)
- American Gangster (3)
- The Zero Effect (0)
- Trapped in the Closet (0)
- The Big Lebowski (0)
- Begotten (0)
- Saw IV (0)
- Lions for Lambs (0)
- Death of a President (0)
- Stranded (0)
- Evil Dead II (0)
- The Evil Dead (0)
- The Goonies (0)
- Cemetery of Terror (1)
Full Archive
Paris Je T’Aime / Paris, I Love You / France/Liechtenstein / 2006
Wow, Paris kinda sucks. For a film emphasizing the I Love You portion of its title, most of the ten-minute “arrondissements” depict the French capital as a place where you can get beaten up, stabbed, addicted to drugs, addicted to drug dealers, divorced, drunk, dumped, heckled, stalked by a vampire, and led to your dead son by a cowboy. I suppose a two-hour film fawning over the mystical wonders of Paris would be utterly painful, but I don’t see how the aforementioned alternatives are any better. And, to be fair, Paris, Je T’aime has its moments of pure wonderment, including Wes Craven’s surprising short about a man and woman who separate in Pere-Lachaise and are reunited thanks to the ghost of Oscar Wilde. Vincenzo Natali’s vampire story is enjoyably atypical—a nod, it seems, to the films of Feuillade—and Alexander Payne’s closing contribution gives us a great performance from Margo Martindale. But the undeniable and overall best comes from Sylvain Chomet, whose story involves a young boy telling the story of how his parents, both mimes, fell in love; there is an element or two of fantasy, some stunning cinematography and special effects, and the usual scent of humorous anti-Americanism, enough to make “Tour Eiffel” both stand out on its own and fulfill the four-word promise of the film’s title.
by Adam Balz | Source: DVD
27 Nov 2007 9:38 AM | Submit Comment
