Screening Log
This new site feature is a collective effort to summarize our viewing habits. Occasionally, you will find titles here that are coming to a theater near you, in addition to films viewed on television, and even films viewed in piecemeal. The screening log is archived each month; to view past entries select a month in the menu below.
February 2008 activity
Total Log Entries: 38
- Adam (6)
- Chet (0)
- Chiranjit (1)
- Cullen (0)
- David (3)
- Eva (4)
- Evan (0)
- Ian (0)
- Jenny (0)
- Katherine (0)
- Leo (4)
- Megan (0)
- Rumsey (4)
- Teddy (0)
- Thomas (5)
- Victoria (1)
Total Comments: 22
- Juno (8)
- Electroma (1)
- The Room (0)
- Grave Robbers (0)
- The Roost (0)
- The Power of Nightmares (0)
- Axe (0)
- The Room (0)
- How She Move (2)
- Step Up 2 the Streets (0)
- The Phynx (0)
- The Oh in Ohio (0)
- Chicago 10 (0)
- Billy the Kid (0)
- The Visitor (0)
- Kisses For My President (0)
- Re-Animator (0)
- There Will Be Blood (3)
- The Ten (3)
- Atonement (0)
- Shoot ‘Em UP (0)
- Beach Girls (0)
- The Satanic Rites of Dracula (0)
- Fried Green Tomatoes (0)
- How To Lose A Guy In 10 Days (0)
- The King Of Kong (1)
- Duck Soup (0)
- The Golden Compass (0)
- Cloverfield (0)
- The Cremator (0)
- Great World Of Sound (0)
- Sweeney Todd (2)
- Throne Of Blood (2)
- Zodiac (0)
- Away From Her (0)
- Reeker (0)
- 27 Dresses (0)
- Subway (0)
Full Archive
The Satanic Rites of Dracula / Count Dracula and His Vampire Bride / UK / 1973
Lee and Cushing have one last go round as Dracula and Van Helsing. This time out, Dracula steals a trick from Fu Manchu (another of Lee’s roles) and plots to destroy the Earth’s population with a plague. The backstory to the film was that Lee’s unhappiness with Hammer’s liberties with the Dracula mythos lead to a falling out between the two, hence this film’s reliance on motorcycle chases and Satanic cults rather than the Count himself. It’s all great fun though, and worth a viewing for historical reasons alone.
It also contains one of the earliest examples (as far as I’m aware at least) of the portrayal of the vampire as a sympathetic anti-hero. Van Helsing surmises that since Dracula’s plot to decimate civilization would result in his death as well it must be a suicide attempt on his part. The majority of the film is standard good versus evil plotting, but Van Helsing and Dracula share a look in which they obviously express a bit of sympathy for each other and look weary of their endless game. You can almost see Lee and Cushing peek out from behind their roles to acknowledge that they too are getting too old to be chasing each other around London in fancy dress—a disconcertingly poignant moment for a horror film.
by David Carter | Source: Mill Creek DVD
05 Feb 2008 11:31 PM | Submit Comment
